News

‘Echo & Narcissus’ performed by the Orquestra de València

The orchestra gave the Valencian premiere of the work in the Palau de les Arts, 12.05.2022 Reviews: Antonio Gascó: Codalario ‘There is an anxiety in the first divisi of the...

A Eulogy of Solitude

My last address to the pupils of the Menuhin School as Director of Music, March 2020 For my last morning assembly at The Yehudi Menuhin School I chose to be...

2022 Performance Highlights

Looking forward to some great performances of Òscar’s music in the year ahead During the year 2022, Spanish audiences will get some great opportunities to enjoy some of Òscar’s music...

‘Imatges’ receives its American and Portuguese premieres

Pianist Nuno Marques takes the work on tour The Portuguese Pianist will perform Imatges (2021) in Washington, New York, Porto, Cascais and Algarve: 18 November2021, Portuguese Embassy in Washington, DC....

Artist Faculty at Porto PianoFest 2021

Òscar continues his association with Porto PianoFest during the Festival’s 6th edition Since 2017, Òscar offers individual coaching and group lectures and seminars on how to develop individual musical interpretations...

How to follow the world premiere of ‘Imatges’ at the Iturbi Competition / 27 & 28 June

Instructions to follow the competition’s semifinals online, and how to get free tickets if you are in València Composer in Residence of the 2021 Iturbi Competition Imatges, was commissioned by...

‘Imatges’ recibirá su estreno en las semifinales del Concurso Internacional Iturbi, el 27 & 28 de junio

Descrita como ‘Una obra memorable que pasará a la historia’ por Òscar Oliver, Coordinador del Premi Iturbi, la obra para piano solo es un encargo de la Diputació de València...

The Ensemble Moonwinds Simfònic tours Òscar’s ‘The Blue Flask’

After a concert in Godella, the ensembles visits the Philharmonic Society of Castelló in a programme featuring pianist Josep Colom and violinist Krzystof Wisniewski as concertmaster Moonwinds Simfònic, is a...

In Memoriam Simon Bainbridge (1952-2021)

I first met Simon Bainbridge in 2005, while working on a piece for the Philharmonia Orchestra Music of Our Time Series. He had been booked to mentor the group of...

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